The work
72 things that have been built, are running, or are worked out and waiting for someone to want them. Grouped by what kind of work it is.
Envision
Diagnosis 2Find out which one thing, fixed, would take the weight off. Sold on its own.
Diagnosis
2Before anything is built, and worth having even if nothing is.

The Diagnosis
A structured interview that names the one problem actually holding your operation up.
What we doWe map how the work really runs, decompose the mess into a few nameable problems, and tell you which one is binding. You keep the answer whether or not anything gets built.

Opportunity Map
Every recurring task in a department, scored for whether it is worth building for.
What we doWe survey the team, list what they actually spend the week on, and score each task on four questions that predict whether a machine can take it. You get a ranked list, not a strategy deck.
Engineer
Tools 30Software that takes the operations off your hands.
Sales and customers
6Anything a customer touches, or that decides whether they buy.

Product Advisor
A guided conversation that helps a customer choose from a catalogue too large to browse.
What we doWe turn your product sheet into your best salesperson, asking the right three questions and naming two or three products, with guardrails that refuse anything medical.

Chat Orders
Turns a messy chat thread and a photographed payment slip into a clean, verified order.
What we doWe read the thread for name, address and items, read the slip for amount and reference, and match it against the money that actually arrived.

Quote Drafter
A draft quotation back in minutes, priced from your own past jobs.
What we doWe build a price book out of your history, so staff send what they saw and you correct a number instead of writing the whole thing.

Content Engine
One photo shoot becomes a month of posts across three channels, in your voice.
What we doWe write your brand voice down once and draft from it per channel. Nothing publishes itself; a person presses the button every time.

Complaint Report
Every complaint of the last six months, grouped and ranked by what it actually costs you.
What we doWe pull five channels into one pile, cluster by what went wrong, and rank it with real quotes attached so the meeting cannot argue with it.

Commonplace
A daily reading site that curates and rebuilds itself every morning.
What we doWe read the sources overnight, select and write up the good ones in your voice, and regenerate the whole site before anyone is awake.
Operations
6Knowing what is happening in the work, without asking three people.

Order Bridge
Marketplace exports in, the exact workbook your system already reads out.
What we doWe replace the one manual step in an otherwise automatic chain and touch nothing downstream. What it cannot price confidently it holds back and names.

Pottery Tracker
A tailored production dashboard for a pottery studio.
What we doPotters log from a phone in a few taps; owners see how many pieces sit at each stage, waiting. Every action is a log entry, so the state is derived and never edited.

Prep Forecast
Tomorrow's prep sheet and purchase list, written each evening from your own sales history.
What we doWe forecast by dish and day, adjusted for paydays, holidays and weather, in kitchen quantities. The chef's corrections become the next version.

Intake Queue
One visible queue for work that arrives from five different directions.
What we doWe capture from the channels people already use, so nobody has to be told to ask differently, then size and classify each request against past ones.

Portico
A daily board that answers one question, which is what needs me today.
What we doFour columns, each asking one thing. A card leaves the inbox by being given a date, and that single move is the whole processing ritual.

Bottega
A commission-shaped project board for a small studio.
What we doStudios have clients, clients have projects, projects have tasks. The vocabulary is the craft's own, so nothing is translated on the way in.
Money and paperwork
6Quoting, billing, expenses, reporting. Nobody enjoys it and it has to be right.

Billing Chain
Quotation to invoice to receipt in two clicks, correct under Thai law.
What we doEach step carries the client and line items forward and takes a fresh number. Withholding tax is computed per document, so you see gross, tax, and what lands.

Receipt Ledger
Photograph a bill the day it arrives, and the month's ledger writes itself.
What we doWe read vendor, tax id, date, amount and VAT, code it the way you coded it last time, and match it to the bank. Your corrections teach the coding.

Weekly Roll-up
The weekly report drafted from where the work already happened.
What we doWe assemble it in your boss's own format and mark what could not be found, so a quiet week and a busy week stop looking identical on the page.

MoneyBot
Where the money went last month, without typing any of it.
What we doStatements in, every transaction read and categorised, one dashboard out. Transfers to people are named once and never asked about again.

Income Ledger
What was earned, from which stream, and who has not paid.
What we doWe compute from documents actually issued rather than estimating from project notes, then reconcile it against the bank.

Runway Model
When the money runs out, under assumptions you can move.
What we doReal holdings in, then withdrawal-rate, survival and spend-down simulation. Fund fees come from the regulator's own data rather than being typed in by hand.
Everyday work
12One person's week. Reading, deciding, drafting, remembering.

CV Shortlist
Two hundred applications read against the criteria you actually hire on.
What we doWe score against a written rubric into three lanes, each name carrying the line that earned it. Nothing is auto-rejected and nothing is deleted.

Company Answers
An internal assistant that answers from your own documents and names its source.
What we doWe gather the real sources, answer only from what is there, and log every question. That log shows what your business cannot yet answer in writing.

Decision Record
Every meeting leaves the same short record of what was decided and who owns it.
What we doWe separate decided from merely discussed, and hand ambiguity back to the chair as a question instead of resolving it quietly.

Review Evidence
A year of evidence per person, gathered at about a minute a week.
What we doWe feed it from work that already exists. It never scores anyone and never writes a rating; it produces evidence and stops there, on purpose.

Inbox Triage
The morning inbox sorted by what it wants from you, not by who sent it.
What we doDecide, delegate, read, or nothing. Routine replies arrive drafted, and anything contractual or sensitive is never drafted at all.

Onboarding Desk
A new hire's first three weeks, answered from your real documents.
What we doWe gather the sources first, refuse anything not found in them, and log every unanswerable question into a ranked list of what was never written down.

Document Reader
A long document read against your own list of what would worry you.
What we doWe flag by page and sentence rather than summarising, because summaries are how people end up confident about a document they never read.

Message Drafts
Three registers of a difficult message, side by side, saying the same thing underneath.
What we doWe write your house tone down once, then check the four things that make these messages fail: hedging, blame, false warmth, and a decision hidden in a question.

Chat Assistant
An always-on assistant living in the messaging app already open on your phone.
What we doAsk a question, hand it a photo, get an answer or an action. It reads only what has been published to it, so the edge of what it knows is a thing you can point at.

Glimmer
A small character on the desktop that runs real procedures behind its face.
What we doVoice in, two languages, your existing workflows underneath. The interface is a personality and nothing beneath it is reimplemented.

Notebook Reader
A photograph of a handwritten page, filed as a searchable record.
What we doIt reads the page back with the uncertain words numbered, so you correct only those. Every correction is learned, so the same word is never misread twice.

Second Brain
One repository holding projects, decisions and procedures as plain files.
What we doProcedures are written down as documents rather than held as habits, so the same job runs the same way each time and improves when it fails.
Enchant
Toys 32Pieces that make people stop, play, and remember you.
Installations
12A camera, a screen and a visitor. For exhibitions, foyers and activations.

Regard
An eighteenth-century portrait that watches the room, blinks on her own, and gasps at a raised voice.
What we doWe hang it in a foyer or an exhibit as the one object people stop walking past. It needs no instructions and makes no queue.

Passions
Sit for your portrait, be painted as an old master, and have your expression read on an engraved wheel.
What we doWe run it as a portrait booth with a long dwell time, for briefs where engagement matters more than throughput.

Benday
A live camera run through a real 1879 print shop, in halftone dots and true CMYK plates.
What we doWe set it as a booth wall. Visitors photograph themselves and post it, so the piece markets the room it is standing in.

The 43
A trainer for the fifteen facial muscles a camera can honestly see.
What we doWe deploy it where a visitor should leave having learned something about themselves rather than having been advertised to.

Warpaint
Paint makeup onto a frozen still of your own face, then wear it live as you move and talk.
What we doWe fit it to a cosmetics activation, where trying something on is the entire point and a physical tester is a hygiene problem.

Aura Mirror
A mirror that computes the day's element from a real almanac and gives you its colour.
What we doWe rebrand it for a seasonal or new-year activation, where a visitor wants a photograph of themselves that means something.

Umbra
A row of your own shadows, half a second behind, that come loose when you stand still.
What we doWe run it as a large projection in a circulation space. It reads across a room, works on a crowd, and needs no explaining.

Nimbus
A weather chamber for one person. Count on your fingers and rain, snow or a storm falls on you.
What we doWe use it where a product has to be shown in weather that cannot be arranged indoors.

Sediment
Live speech that turns solid and falls, burying the oldest thing you said.
What we doWe set it behind a talk or a panel, turning the room's own speech into the decoration of the room.

Bloom
A picture made of a quarter of a million grains that your hands blow apart and re-form.
What we doWe build the reveal into it, so a logo, a product or a portrait arrives by the visitor's own hand rather than simply appearing.

Lumos
Point one finger into the dark and living light gathers on the fingertip.
What we doWe place it in a dark room, a queue or a children's zone. The simplest thing here to understand and the hardest to walk away from.

Reach
A gallery of pictures floating in the dark, moved and pulled out of the air with bare hands.
What we doWe load your own archive or lookbook into it, so a collection is browsed rather than scrolled.
Creative tools
8Instruments your team or your visitors operate to make something real.

Broadside
A poster press with no opinion about your poster. A real grid, real layers, real overprinting ink.
What we doWe hand it to your team as a brand toolkit so they lay out on-brand sheets without a designer, or run it in a workshop where people print in the room.

Kinetype
A kinetic typography studio where every frame is a pure function of time.
What we doWe use it to produce campaign motion at volume inside one visual system, without a motion designer for every asset.

Foundry
One block of type and eleven systems that bend, wrap, shatter and drop it.
What we doWe build a title sequence, a launch loop or a typographic centrepiece for a stand, where the wordmark has to do something rather than sit there.

Quiver
Every line you draw keeps moving, in thirteen different characters of motion.
What we doWe use it for hand-drawn brand motion, or set it up as a drawing station where whatever a visitor draws comes alive in front of them.

Rapport
A pattern press with four orthogonal axes instead of a shelf of presets.
What we doWe generate a whole family of surfaces for packaging, textiles, wrapping or a seasonal identity, rather than one piece of artwork.

Frisket
A photograph taken apart into objects and re-inked part by part.
What we doWe make editorial and campaign imagery where the subject stays photographic while the ground becomes print.

Shear
An image cut into an uneven seeded grid, every tile deliberately corrupted its own way.
What we doWe use it for music, streetwear and nightlife work, where the damage has to look authored rather than applied.

Douanier
An empty jungle in a gilt frame, and a drawer of plants and animals to grow inside it.
What we doWe install it as a children's zone or a museum station, where a visitor composes something and then watches it settle.
Daily apps and devices
8Small things that install to a phone, or sit on a wall and a desk.

Dispatch
A brutalist broadsheet that prints itself once a day, and only once.
What we doWe swap the content for yours. It is the clearest model here for a brand daily: one small thing, once, worth opening.

Ferryman
One personal ticket a day, read off the chart you were born under.
What we doWe build it as a membership perk where the content has to be personal to the holder rather than the same for everybody.

Palette Boy
What colour to wear to the thing you actually have on today.
What we doWe fit it to fashion, beauty or retail, where a daily recommendation can carry a product without reading as an advertisement.

Lodestar
Two hundred plain answers to being a new adult, from tax and renting to what to do about a scam.
What we doWe rebuild it around your content. The model for an organisation that wants to be genuinely useful to a young audience rather than advertise at one.

Vane
A bonsai on a 64-pixel wall panel that lives through the real weather outside.
What we doWe build the calm ambient display for a lobby, a studio or a desk. One thing that matters, with nothing to log into.

Thai E-reader
A commercial e-reader whose firmware could not render Thai, patched until it could.
What we doWe work below the screen. When the constraint lives in a device rather than in software, that is still a diagnosable gap.

reTerminal
A desk e-paper dashboard. Three-day calendar, today's tasks, room climate, a countdown.
What we doCustom firmware on a seven-inch e-paper device, battery powered, repainting only on change. The server renders and the device only blits, which is why Thai comes out right.

M5 Companion
A palm-sized device with a creature living in it, driven by tilt, sound and time.
What we doWe build the branded desk object or event giveaway: five modes on one small screen, each reacting to a different sensor, cycling on its own when nobody touches it.
Crowd experiences
4One big screen and a room full of phones. For events and kickoffs.

Zoodle
A quiz for a whole room. The big screen asks, and every phone in the room answers.
What we doWe load your questions and run it at a kickoff, a town hall or a training day. It warms a room faster than anything else here.

Tutti
Conduct a five-piece collage orchestra with your bare hands.
What we doWe stage it as a moment where somebody from the audience conducts, or leave it unattended for a passer-by to work out in four seconds.

Froggi
Five frogs on five lily pads, each one a different animal with a different job in the chorus.
What we doThe family version of the same mechanic. Warmer, funnier, and the right call when the audience is mixed or under ten.

Timbre
A background that listens to the room and becomes a field of characters.
What we doWe run it as a stage backdrop or a bar wall. No operator and no content needed, only the sound already in the room.
Enrich
Teaching 5Hand the method over, so your own people can build.
Courses and talks
5Run in-house for a department, or as an open cohort.

Thinking with Claude Code
A working day that takes a room from never having built anything to shipping a small tool of their own.
What we doWe run it in-house for your team, full day or a two-hour cut. People leave with something they built, which is the only version of this that changes behaviour.

Designing Work for AI
Two modules: work out which problem is binding, then reshape the job so a machine can do it cheaply.
What we doWe teach your managers the same diagnosis we would run ourselves, so the next hundred small decisions get made without us in the room.

Twenty Toys
A half day for a non-coding innovation team on what to build now that building stopped being the hard part.
What we doWe walk twenty real pieces, take them apart in front of the room, and end with the team sketching things they could actually ship this quarter.

Where AI Actually Is
For a smart audience that understood these machines in 2023 and then stopped following.
What we doWe bring your senior people back up to the current picture, in plain language, with no product pitch attached to any of it.

AI for SMEs and Knowledge Workers
Twenty real problems from small businesses and the office week, told plainly and without names, each with what was built underneath.
What we doWe open with the problems rather than the technology, so the room recognises its own week in the first five minutes and argues with us for the rest of the hour.
Express
Words 3Twenty years of writing and translating, put to work on yours.
Writing and translation
3The oldest craft here, and the one with the longest record.

Translation
English to Thai, for books and for writing where the register has to survive the crossing.
What we doWe translate the argument, not the sentences. Ten or more published books, mostly science and technology, where a literal rendering would have been technically correct and unreadable.

Books and Long-form
Book-length writing, from the idea to the manuscript.
What we doWe write it, or we work with the person whose name is on it until it sounds like them on their best day rather than like a committee.

Brand Voice
Your voice written down once, with real examples of what is on-brand and what is not.
What we doWe derive it from what you have already published rather than inventing it in a workshop, then leave a document any writer or machine can work from.